Architecture2025EN
LITHA°
"We do not design objects. We compose atmospheres." A studio site where the pacing carries as much meaning as the images.
- Website
- Portfolio
- Editorial

- Industry
- Architecture
- Engagement
- 6 weeks
- Team
- 1 designer · 1 engineer
- Platforms
- Marketing site · Project pages · Material studies
01
Challenge
An architecture practice with a twenty-four to thirty-six month project cycle is not selling a service you buy this week. The site's job is to attract a very small number of the right clients and repel everyone else.
That makes conventional conversion design actively counterproductive: friction, restraint and slowness are the message.
- Projects shown
- Three, in full
- Typical cycle
- 24–36 months
- Goal
- Fewer, better enquiries
02
Solution
Three projects presented completely rather than a grid of twelve — Casa Sombra, Horizon House, Still Forest — each with the reasoning, the site conditions and the material decisions.
A material studies section treats limestone, smoked oak and blackened steel as subjects in their own right, which is how the practice actually talks about its work.
The five-phase process section sets expectations about duration and involvement before a conversation starts, which filters enquiries in exactly the way the studio wanted.
- Structure
- Philosophy → works → materials → process
- Filtering
- Duration and involvement stated up front
03
Architecture
- L0SiteStatic
- L1Project modelDataMaterial studiesData
- L2Image pipelineAVIF/WebP, responsiveGenerated pagesService
- L3EnquiryService
Connections (6)
- Site → Project model
- Site → Material studies
- Project model → Image pipeline
- Project model → Generated pages
- Material studies → Generated pages
- Generated pages → Enquiry
04
UX
Deliberate pacing: long scroll distances, few decisions per screen, no competing calls to action. The reading rhythm is the argument.
Contact sits at the end rather than everywhere, because a practice with a three-year cycle does not need a sticky button.
05
UI
Photography at full bleed, typography set small and precise against it, and generous negative space that would be wasteful on any other kind of site.
Material and light are the palette — the interface contributes almost no colour of its own.
06
Development
Media-heavy pages with responsive image generation and modern formats, so full-bleed photography loads quickly on a phone.
Reveal choreography is scroll-linked and short; under reduced-motion, images simply appear.
07
What it does
Philosophy
The practice's position stated before any work is shown.
Selected works
Three residential projects presented in full, with site and material reasoning.
Material studies
Limestone, smoked oak and blackened steel as subjects in their own right.
Process
Five phases with realistic durations, stated before contact.
Studio
Practice information and enquiry routing.
08
Integrations & stack
Integrations
- Email enquiry
- Analytics
Frontend
- Next.js
- TypeScript
- Tailwind CSS
- next/image
Platform
- Static generation
- Responsive images
- CDN
09
Where it landed
- 3, in full
- Projects shown
- Built into the structure
- Filtering
- Full-bleed, optimised
- Media
- Short, reduced-motion safe
- Motion
Rather than a grid of twelve
A site that behaves like the practice: slow, precise, and uninterested in everyone.




Every build is designed for the phone as its own experience, not as a narrowed desktop layout.
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